Lines of Sadness
This photo shows lines of red poppies against names on the Roll of Honour at the Australian War Memorial in Canberra. It’s a particularly moving place to visit and just in case you didn’t know, it was ANZAC Day here on 25 April.
Poppies adorn the panels of the Memorial’s Roll of Honour, placed beside names as a small personal tribute to the memory of a particular person, or to any of the thousands of individuals commemorated there. This practice began at the interment of the Unknown Australian Soldier on 11 November 1993. Source

This week, share a photo with a composition dominated by lines — hard or soft, straight or curvy, vertical or horizontal, or made in nature or as part of a cityscape.
Lest we forget.
Deb xx
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Beautiful depiction of the prompt.
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Thanks Janis, I thought it was appropriate too. I appreciate your comment.
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Such a beautiful reminder of the sacrifices made so we can live in this wonderful country. Thanks Deb xx
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I just happened to find it on my phone when I went looking for suitable ‘line’ photos for the prompt. I’m now glad I took it and could use it at this time. Thanks Sue x
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What a great post following the prompt – it would be moving to see.
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Thanks Chris, it was very special.
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Very appropriate photo Deb. xo
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Thanks Miriam, very moving!
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Lest We Forget xx
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We shall remember them x
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Stunning photograph, Deb, with so much meaning behind it!
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Thanks Donna, it’s a beautifully sad photo that’s for sure.
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Beautiful
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Thanks for stopping by Jodi.
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Crimson tears.
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Very well said Molly 😦
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Beautiful and sad.Lest we forget. 💜💜
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Thanks for your words. 🙂
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💜💜
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This is a stunning representation of both honour and respect.
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Thank you Ellen, it’s a very special day for us here and the least I could do.
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So much sacrifice and so lovingly remembered. Your angle on this photo really brings out the lines.
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Thanks very much Sue, I loved the angles here too.x
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Your idea of Lines of Sadness is a beautiful reminder of the significance of Anzac Day.
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Thanks, it’s a very sombre time and I thought it fitted the theme quite well.
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